Las Leyendas Babilónicas de la Creación

The Babylonian Legends of the Creation

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and the

Fight Between Bel and the Dragon

by E. A. Wallis Budge

with the assistance of Sidney Smith

as Told by Assyrian Tablets From Nineveh

London: Harrison and Sons, ltd.

[1921]

Discovery of the Tablets.

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The baked clay tablets and portions of tablets which describe the views and beliefs of the Babylonians and Assyrians about the Creation were discovered by Mr. (later Sir) A.H. Layard, Mormuzd Rassam and George Smith, Assistant in the Department of Oriental Antiquities in the British Museum. They were found among the ruins of the Palace and Library of Ashur-bani-pal (B.C. 668-626) at Ḳuyûnjiḳ (Nineveh), between the years 1848 and 1876. Between 1866 and 1870, the great "find" of tablets and fragments, some 20,000 in number, which Rassam made in 1852, was worked through by George Smith, who identified many of the historical inscriptions of Shalmaneser II, Tiglath-Pileser III, Sargon II, Sennacherib, Esarhaddon, and other kings mentioned in the Bible, and several literary compositions of a legendary character, fables, etc. In the course of this work he discovered fragments of various versions of the Babylonian Legend of the Deluge, and portions of several texts belonging to a work which treated of the beginning of things, and of the Creation. In 1870, Rawlinson and Smith noted allusions to the Creation in the important tablet K.63, but the texts of portions of tablets of the Creation Series at that time available for study were so fragmentary that it was impossible for these scholars to find their correct sequence. During the excavations which Smith carried out at Ḳuyûnjiḳ in 1873 and 1874 for the proprietors of the Daily Telegraph and the Trustees of the British Museum, he was, he tells us, fortunate enough to discover "several fragments of the Genesis Legends." In January, 1875, he made an exhaustive search among the tablets in the British Museum, and in the following March he published, in the Daily Telegraph (March 4th), a summary of the contents of about twenty fragments of the series of tablets describing the creation of the heavens and the earth. In November of the same year he communicated to the Society of Biblical Archaeology 1 copies of:--(1) the texts on fragments of the First and Fifth Tablets of Creation; (2) a text describing the fight between the "Gods and Chaos"; and (3) a fragmentary text which, he believed, described the Fall of Man. In the following year he published translations of all the known fragments of the Babylonian Creation Legends in his "Chaldean Account of Genesis" (London, 1876, 8vo, with photographs). In this volume were included translations of the Exploits of Gizdubar (Gilgamish), and some early Babylonian fables and legends of the gods.

Publication of the Creation Tablets.

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The publication of the above-mentioned texts and translations proved beyond all doubt the correctness of Rawlinson's assertion made in 1865, that "certain portions of the Babylonian and Assyrian Legends of the Creation resembled passages in the early chapters of the Book of Genesis." During the next twenty years, the Creation texts were copied and recopied by many Assyriologists, but no publication appeared in which all the material available for reconstructing the Legend was given in a collected form. In 1898, the Trustees of the British Museum ordered the publication of all the Creation texts contained in the Babylonian and Assyrian Collections, and the late Mr. L. W. King, Assistant in the Department of Egyptian and Assyrian Antiquities, was directed to prepare an edition. The exhaustive preparatory search which he made through the collections of tablets in the British Museum resulted in the discovery of many unpublished fragments of the Creation Legends, and in the identification of a fragment which, although used by George Smith, had been lost sight of for about twenty-five years. He ascertained also that, according to the Ninevite scribes, the Tablets of the Creation Series were seven in number, and what several versions of the Legend of the Creation, the works of Babylonian and Assyrian editors of different periods, must have existed in early Mesopotamian Libraries. King's edition of the Creation Texts appeared in "Cuneiform Texts from Babylonian Tablets in the British Museum," Part XIII, London, 1901. As the scope of this work did not permit the inclusion of his translations, and commentary and notes, he published these in a private work entitled, "The Seven Tablets of Creation, or the Babylonian and Assyrian Legends concerning the creation of the world and of mankind," London, 1902, 8vo. A supplementary volume contained much new material which had been found by him since the appearance of the official edition of the texts, and in fact doubled the number of Creation Texts known hitherto.

[Babylonian map of the world, showing the ocean surrounding the world and making the position of Babylon on the Euphrates as its centre. It shows also the mountains as the source of the river, the land of Assyria, Bît-Iakinu, and the swamps at the mouth of the Euphrates. [No. 92,687.]]

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Babylonian map of the world, showing the ocean surrounding the world and making the position of Babylon on the Euphrates as its centre. It shows also the mountains as the source of the river, the land of Assyria, Bît-Iakinu, and the swamps at the mouth of the Euphrates. [No. 92,687.]

The Object of the Babylonian Legend of the Creation.

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A perusal of the texts of the Seven Tablets of Creation, which King was enabled, through the information contained in them, to arrange for the first time in their proper sequence, shows that the main object of the Legend was the glorification of the god Marduk, the son of Ea (Enki), as the conqueror of the dragon Tiâmat, and not the narration of the story of the creation of the heavens, and earth and man. The Creation properly speaking, is only mentioned as an exploit of Marduk in the Sixth Tablet, and the Seventh Tablet is devoted wholly to the enumeration of the honorific titles of Marduk. It is probable that every great city in Babylonia, whilst accepting the general form of the Creation Legend, made the greatest of its local gods the hero of it. It has long been surmised that the prominence of Marduk in the Legend was due to the political importance of the city of Babylon. And we now know from the fragments of tablets which have been excavated in recent years by German Assyriologists at Ḳal'at Sharḳât (or Shargat, or Shar'at), that in the city of Ashur, the god Ashur, the national god of Assyria, actually occupied in texts 2 of the Legend in use there the position which Marduk held in four of the Legends current in Babylonia. There is reason for thinking that the original hero of the Legend was Enlil (Bel), the great god of Nippur (the Nafar, or Nufar of the Arab writers), and that when Babylon rose into power under the First Dynasty (about B.C. 2300), his position in the Legend was usurped at Babylon by Marduk.

[Excavations in Babylonia and Assyria.]

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Excavations in Babylonia and Assyria.

Variant Forms of the Babylonian Legend of the Creation.

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The views about the Creation which are described in the Seven Tablets mentioned above were not the only ones current in Mesopotamia, and certainly they were not necessarily the most orthodox. Though in the version of the Legend already referred to the great god of creation was Enlil, or Marduk, or Ashur, we know that in the Legend of Gilgamish (Second Tablet) it was the goddess Aruru who created Enkidu (Eabani) from a piece of clay moistened with her own spittle. And in the so-called "bilingual" version 3 of the Legend, we find that this goddess assisted Marduk as an equal in the work of creating the seed of mankind. This version, although Marduk holds the position of pre-eminence, differs in many particulars from that given by the Seven Tablets, and as it is the most important of all the texts which deal directly with the creation of the heavens and the earth, a rendering of it is here given.

The "Bilingual" Version of the Creation Legend.

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1. "The holy house, the house of the gods in the holy place had not yet been made.

2. "No reed had sprung up, no tree had been made.

3. "No brick had been laid, no structure of brick had been erected.

4. "No house had been made, no city had been built.

[The Bilingual Version of the Creation Legend. [No. 93,014.]]

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The Bilingual Version of the Creation Legend. [No. 93,014.]

5. "No city had been made, no creature had been constituted.

6. "Enlil's city,

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(i.e., Nippur) had not been made, E-kur

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had not been built,

7. "Erech

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had not been made, E-Aena

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had not been built,

8. The Deep 4 (or Abyss) had not been made, Eridu

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had not been built.

9. "Of the holy house, the house of the gods, the dwelling-place had not been made.

10. "All the lands were sea

11. "At the time that the mid-most sea was [shaped like] a trough,

12. "At that time Eridu was made, and E-sagil was built,

13. "The E-sagil where in the midst of the Deep the god Lugal-dul-azaga 5 dwelleth,

14. "Babylon was made, E-sagil was completed.

15. "The gods the Anunnaki he created at one time.

16. "They proclaimed supreme the holy city, the dwelling of their heart's happiness.

17. "Marduk laid a rush mat upon the face of the waters,

18. "He mixed up earth and moulded it upon the rush mat,

19. "To enable the gods to dwell in the place where they fain would be.

20. "He fashioned man.

21. "The goddess Aruru

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with him created the seed of mankind.

22. "He created the beasts of the field and [all] the living things in the field.

23. "He created the river Idiglat (Tigris) and the river Purattu (Euphrates), and he set them in their places,

24. "He proclaimed their names rightly.

[Terra-cotta figure of a god. From a foundation deposit at Babylon. [No. 90,9961]]

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Terra-cotta figure of a god. From a foundation deposit at Babylon. [No. 90,9961]

25. "He created grass, the vegetation of the marsh, seed and shrub;

26. "He created the green plants of the plain,

27. "Lands, marshes, swamps,

28. "The wild cow and the calf she carried, the wild calf, the sheep and the young she carried, the lamb of the fold,

29. "Plantations and shrub land,

30. "The he-goat and the mountain goat ...

31. "The lord Marduk piled up a dam in the region of the sea (i.e., he reclaimed land)

32. "He ... a swamp, he founded a marsh.

33. "... he made to be

34. "Reeds he created, trees he created,

35. "... in place he created

36. "He laid bricks, he built a brick-work,

37. "He constructed houses, he formed cities.

38. "He constructed cities, creatures he set [therein].

39. "Nippur he made, E-Kur he built.

40. "[Erech he made, E-Anna] he built.

[The remainder of the text is fragmentary, and shows that the text formed part of an incantation which was recited in the Temple of E-Zida, possibly the great temple of Nabu at Borsippa.]

[Bronze figure of a Babylonian god. [No. 91,147]]

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Bronze figure of a Babylonian god. [No. 91,147]

The Legend of the Creation According to Berosus and Damascius.

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Versions in Greek of the Legends found by George Smith had long been known to classical scholars, owing to the preservation of fragments of them in the works of later Greek writers, e.g., Eusebius, Syncellus, and others. The most important of these is derived from the History of Babylonia, which was written in Greek by BEROSUS, a priest of Bel-Marduk, i.e., the "Lord Marduk," at Babylon, about 250 B.C. In this work Berosus reproduced all the known historical facts and traditions derived from native sources which were current in his day. It is therefore not surprising to find that his account of the Babylonian beliefs about the origin of things corresponds very closely with that given in the cuneiform texts, and that it is of the greatest use in explaining and partly in expanding these texts. His account of the primeval abyss, out of which everything came, and of its inhabitants reads:--

[Babylonian Monster. [No. 108,979.]]

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Babylonian Monster. [No. 108,979.]

"There was a time in which there existed nothing but darkness and an abyss of waters, wherein resided most hideous beings, which were produced on a two-fold principle. There appeared men, some of whom were furnished with two wings, others with four, and with two faces. They had one body but two heads; the one that of a man, the other of a woman; and likewise in their several organs both male and female. Other human figures were to be seen with the legs and horns of goats; some had horses' feet; while others united the hind-quarters of a horse with the body of a man, resembling in shape the hippo-centaurs. Bulls likewise were bred there with the heads of men, and dogs with four told bodies, terminated in their extremities with the tails of fishes; horses also with the heads of dogs; men too and other animals, with the heads and bodies of horses and the tails of fishes. In short, there were creatures in which were combined the limbs of every species of animals. In addition to these, fishes, reptiles, serpents, with other monstrous animals, which assumed each other's shape and countenance. Of all which were preserved delineations in the temple of Belus at Babylon."

[Babylonian Demon. [No. 93,089.]]

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Babylonian Demon. [No. 93,089.]

[THE SLAUGHTER OF THE QUEEN OF THE ABYSS.]

"The person, who presided over them, was a woman named OMUROCA; which in the Chaldean language is THALATTH; in Greek THALASSA, the sea; but which might equally be interpreted the Moon. All things being in this situation, Belus came, and cut the woman asunder: and of one half of her he formed the earth, and of the other half the heavens; and at the same time destroyed the animals within her. All this (he says) was an allegorical description of nature."

[THE CREATION OF MAN.]

"For, the whole universe consisting of moisture, and animals being generated therein, the deity above-mentioned 6 took off his own head: upon which the other gods mixed the blood, as it gushed out, with the earth; and from whence were formed men. On this account it is that they are rational and partake of divine knowledge."

[BELUS CREATES THE UNIVERSE.]

"This Belus, by whom they signify Jupiter, divided the darkness, and separated the Heavens from the Earth, and reduced the universe to order. But the animals not being able to bear the prevalence of light, died. Belus upon this, seeing a vast space unoccupied, though by nature fruitful, commanded one 7 of the gods to take off his head, and to mix the blood with the earth; and from thence to form other men and animals, which should be capable of bearing the air. Belus formed also the stars, and the sun, and the moon, and the five planets. Such, according to Polyhistor Alexander, is the account which Berosus gives in his first book." (See Cory, Ancient Fragments, London, 1832, pp. 24-26.)

In the sixth century of our era DAMASCIUS the SYRIAN, the last of the Neo-Platonic philosophers, wrote in Greek in a work on the Doubts and Solutions of the first Principles, in which he says: "But the Babylonians, like the rest of the Barbarians, pass over in silence the One principle of the Universe, and they conceive Two, TAUTHE and APASON; making APASON the husband of TAUTHE, and denominating her the mother of the gods. And from these proceeds an only-begotten son, MOYMIS, which I conceive is no other than the Intelligible World proceeding from the two principles. From these, also, another progeny is derived, DACHE and DACHUS; and again, a third, KISSARE and ASSORUS, from which last three others proceed, ANUS, and ILLINUS, and AUS. And of AUS and DAUCE is born a son called Belus, who, they say, is the fabricator of the world, the Demiurgus." (See Cory, Ancient Fragments, London, 1832, p. 318.)

The Seven Tablets of Creation. Description of Their Contents.

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In the beginning nothing whatever existed except APSÛ, which may be described as a boundless, confused and disordered mass of watery matter; how it came into being is unknown. Out of this mass there were evolved two orders of beings, namely, demons and gods. The demons had hideous forms, even as Berosus said, which were part animal, part bird, part reptile and part human. The gods had wholly human forms, and they represented the three layers of the comprehensible world, that is to say, heaven or the sky, the atmosphere, and the underworld. The atmosphere and the underworld together formed the earth as opposed to the sky or heaven. The texts say that the first two gods to be created were LAKHMU

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and LAKHAMU

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. Their attributes cannot at present be described, but they seem to represent two forms of primitive matter. They appear to have had no existence in popular religion, and it has been thought that they may be described as theological conceptions containing the notions of matter and some of its attributes.

[Terra-cotta figure of a Babylonian Demon. [No. 22,458.]]

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Terra-cotta figure of a Babylonian Demon. [No. 22,458.]

After countless aeons had passed the gods ANSHAR

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and KISHAR

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came into being; the former represents the "hosts of heaven," and the latter the "hosts of earth."

After another long and indefinite period the independent gods of the Babylonian pantheon came into being, e.g., ANU

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, EA

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, who is here called NUDIMMUD

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, and others.

[Bronze figure of a Babylonian Demon. [No. 93,078.]]

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Bronze figure of a Babylonian Demon. [No. 93,078.]

As soon as the gods appeared in the universe "order" came into being. When APSÛ, the personification of confusion and disorder of every kind, saw this "order," he took counsel with his female associate TIÂMAT

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with the object of finding some means of destroying the "way"

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(al-ka-at) or "order" of the gods. Fortunately the Babylonians and Assyrians have supplied us with representations of Tiâmat, and these show us what form ancient tradition assigned to her. She is depicted as a ferocious monster with wings and scales and terrible claws, and her body is sometimes that of a huge serpent, and sometimes that of an animal. In the popular imagination she represented all that was physically terrifying, and foul, and abominable; she was nevertheless the mother of everything,  8 and was the possessor of the DUP SHIMATI or "TABLET OF DESTINIES"

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. No description of this Tablet or its contents is available, but from its name we may assume that it was a sort of Babylonian Book of Fate. 9 Theologically, Tiâmat represented to the Babylonians the same state in the development of the universe as did tôhû wâ-bhôhû (Genesis i. 2), i.e., formlessness and voidness, of primeval matter, to the Hebrews She is depicted both on bas-reliefs and on cylinder seals in a form which associates her with LABARTU,  10 a female devil that prowled about the desert at night suckling wild animals but killing men. And it is tolerably certain that she was the type, and symbol, and head of the whole community of fiends, demons and devils.

[Terra-cotta plaque with a Typhonic animal in relief. [No. 103,381.]]

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Terra-cotta plaque with a Typhonic animal in relief. [No. 103,381.]

In the consultation which took place between APSÛ and TIÂMAT, their messenger MU-UM-MU

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took part; of the history and attributes of this last-named god nothing is known. The result of the consultation was that a long struggle began between the demons and the gods, and it is clear that the object of the powers of darkness was to destroy the light. The whole story of this struggle is the subject of the Seven Tablets of Creation. The gods are deifications of the sun, moon, planets and other stars, and APSÛ, or CHAOS, and his companions the demons, are personifications of darkness, night and evil. The story of the fight between them is nothing more nor less than a picturesque allegory of natural phenomena. Similar descriptions are found in the literatures of other primitive nations, and the story of the great fight between Her-ur, the great god of heaven, and Set, the great captain of the hosts of darkness, may be quoted as an example. Set regarded the "order" which Ḥer-ur was bringing into the universe with the same dislike as that with which APSÛ contemplated the beneficent work of Sin, the Moon-god, Shamash, the Sun-god, and their brother gods. And the hostility of Set and his allies to the gods, like that of Tiâmat and her allies, was everlasting.

[Battle between Marduk (Bel) and the Dragon. Drawn from a bas-relief from the Palace of Ashur-nasir-pal, King of Assyria, 885-860 B.C., at Nimrûd. [Nimrûd Gallery, Nos. 28 and 29.]]

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Battle between Marduk (Bel) and the Dragon. Drawn from a bas-relief from the Palace of Ashur-nasir-pal, King of Assyria, 885-860 B.C., at Nimrûd. [Nimrûd Gallery, Nos. 28 and 29.]

At this point a new Text fills a break in the First Tablet, and describes the fight which took place between Nudimmud or Ea, (the representative of the established "order" which the rule of the gods had introduced into the domain of Apsû and Tiâmat) and Apsû and his envoy Mummu. Ea went forth to fight the powers of darkness and he conquered Apsû and Mummu. The victory over Apsû, i.e., the confused and boundless mass of primeval water, represents the setting of impassable boundaries to the waters that are on and under the earth, i.e., the formation of the Ocean. The exact details of the conquest cannot be given, but we know that Ea was the possessor of the "pure (or white, or holy) incantation" and that he overcame Apsû and his envoy by the utterance of a powerful spell. In the Egyptian Legend of Rā and Āapep, the monster is rendered spell-bound by the god Ḥer-Ṭuati, who plays in it exactly the same part as Ea in the Babylonian Legend.

When Tiâmat heard of Ea's victory over Apsû and Mummu she was filled with fury, and determined to avenge the death of Apsû, her husband.

The first act of TIÂMAT after the death of Apsû was to increase the number of her allies. We know that a certain creature called "UMMU-KHUBUR"

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at once spawned a brood of devilish monsters to help her in her fight against the gods. Nothing is known of the origin or attributes of UMMU-KHUBUR, but some think she was a form of TIÂMAT. Her brood probably consisted of personifications of mist, fog, cloud, storm, whirlwinds and the blighting and destroying powers which primitive man associated with the desert. An exact parallel of this brood of devils is found in Egyptian mythology where the allies of Set and Āapep are called "Mesu beṭshet"

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i.e., "spawn of impotent revolt." They are depicted in the form of serpents, and some of them became the "Nine Worms of Ȧmenti" that are mentioned in the Book of the Dead (Chap. Ia).

Not content with Ummu-Khubur's brood of devils, Tiâmat called the stars and powers of the air to her aid, for she "set up" (1) the Viper, (2) the Snake, (3) the god Lakhamu, (4) the Whirlwind, (5) the ravening Dog, (6) the Scorpion-man, (7) the mighty Storm-wind, (8) the Fish-man, and (9) the Horned Beast. These bore (10) the "merciless, invincible weapon," and were under the command of (11) Kingu, whom Tiâmat calls "her husband." Thus Tiâmat had Eleven mighty Helpers besides the devils spawned by Ummu-Khubur. We may note in passing that some of the above-mentioned Helpers appear among the Twelve Signs of the Zodiac which Marduk "set up" after his conquest of Tiâmat, e.g., the Scorpion-man, the Horned Beast, etc. This fact suggests that the first Zodiac was "set up" by Tiâmat, who with her Eleven Helpers formed the Twelve Signs; the association of evil with certain stars may date from that period. That the Babylonians regarded the primitive gods as powers of evil is clear from the fact that Lakhamu, one of them, is enumerated among the allies of Tiâmat.

The helpers of Tiâmat were placed by her under the command of a god called KINGU

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who is TAMMUZ. He was the counterpart, or equivalent, of ANU, the Sky-god, in the kingdom of darkness, for it is said in the text "Kingu was exalted and received the power of Anu," i.e., he possessed the same power and attributes as Anu. When Tiâmat appointed Kingu to be her captain, she recited over him a certain spell or incantation, and then she gave him the TABLET OF DESTINIES and fastened it to his breast, saying, "Whatsoever goeth forth from thy mouth shall be established." Armed with all the magical powers conferred upon him by this Tablet, and heartened by all the laudatory epithets which his wife Tiâmat heaped upon him, Kingu went forth at the head of his devils.

When Ea heard that Tiâmat had collected her forces and Was determined to continue the fight against the gods which Apsû and Mummu had begun, and that she had made her husband Kingu her champion, he was "afflicted" and "sat in sorrow." He felt unable to renew the fight against the powers of darkness, and he therefore went and reported the new happenings to Anshar, representative of the "host of heaven," and took counsel with him. When Anshar heard the matter he was greatly disturbed in mind and bit his lips, for he saw that the real difficulty was to find a worthy antagonist for Kingu and Tiâmat. A gap in the text here prevents us from knowing exactly what Anshar said and did, but the context suggests that he summoned Anu, the Sky-god, to his assistance. Then, having given him certain instructions, he sent him on an embassy to Tiâmat with the view of conciliating her. When Anu reached the place where she was he found her in a very wrathful state, and she was muttering angrily; Anu was so appalled at the sight of her that he turned and fled. It is impossible at present to explain this interlude, or to find any parallel to it in other ancient Oriental literature.

[Shamash the Sun-god rising on the horizon, flames of fire ascending from his shoulder. The two portals of the dawn, each surmounted by a lion, are being drawn open by attendant gods. From a Babylonian seal cylinder in the British Museum. [No. 89,110.]]

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Shamash the Sun-god rising on the horizon, flames of fire ascending from his shoulder. The two portals of the dawn, each surmounted by a lion, are being drawn open by attendant gods. From a Babylonian seal cylinder in the British Museum. [No. 89,110.]

When Anu reported his inability to deal with Tiâmat, a council of the gods was called, and Ea induced his son, Marduk to be present. We next find Anshar in converse with the god Marduk, who offers to act as the champion of the gods and to fight Tiâmat and her allies. Marduk being a form of the Sun-god, the greatest of all the powers of light, thus becomes naturally the protagonist of the gods, and the adversary of Tiâmat and her powers of darkness. Then Anshar summoned a great council of the gods, who forthwith met in a place called "Upshukkinaku"

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, which may be described as the Babylonian Olympus. It was all-important for Marduk to appear at the council of the gods before he undertook his task, because it was necessary for him to be formally recognised by them as their champion, and he needed to be endowed by them with magical powers. The primitive gods Lakhmu and Lakhamu, and the Igigi

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(or

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), who may be regarded as star-gods, were also summoned. A banquet was prepared, and the gods attended, and having met and kissed each other they sat down, and ate bread and drank hot and sweet sesame wine. The fumes of the wine confused their senses, but they continued to drink, and at length "their spirits were exalted." They appointed Marduk to be their champion officially, and then they proceeded to invest him with the power that would cause every command he spake to be followed immediately by the effect which he intended it to produce. Next Marduk, with the view of testing the new power which had been given him, commanded a garment to disappear and it did so; and when he commanded it to reappear it did so.

[Shamash the Sun-god setting (?) on the horizon.]

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Shamash the Sun-god setting (?) on the horizon.

In his right he holds a tree (?), and in his left a ... with a serrated edge. Above the horizon is a goddess who holds in her left hand an ear of corn. On the right is a god who seems to be setting free a bird from his right hand. Round him is a river with fish in it, and behind him is an attendant god; under his foot is a young bull. To the right of the goddess stand a hunting god, with a bow and lasso, and a lion. From the seal-cylinder of Adda ..., in the British Museum. About 2500 B.C. [No. 89,115.]

Then the gods saluted him as their king, and gave him the insignia of royalty, namely, the sceptre, the throne and the pala,

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, whatever that may be. And as they handed to him these things they commanded him to go and hack the body of Tiâmat in pieces, and to scatter her blood to the winds. Thereupon Marduk began to arm himself for the fight. He took a bow, a spear, and a club; he filled his body full of fire and set the lightning before him. He took in his hands a net wherewith to catch Tiâmat, and he placed the four winds near it, to prevent her from escaping from it when he had snared her. He created mighty winds and tempests to assist him, and grasped the thunderbolt in his hand; and then, mounting upon the Storm, which was drawn by four horses, he went out to meet and defeat Tiâmat. It seems pretty certain that this description of the equipment of Marduk was taken over from a very ancient account of the Fight with Tiâmat in which the hero was Enlil, i.e., the god of the air, or of the region which lies between heaven and hell. Marduk approached and looked upon the "Middle" or "Inside" or "Womb" of Tiâmat  11

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, and divined the plan of Kingu who had taken up his place therein. In the Seventh Tablet (l. 108) Marduk is said to have "entered into the middle of Tiâmat," and because he did so he is called "Nibiru," i.e., "he who entered in," and the "seizer of the middle." What the words "middle of Tiâmat" meant to the Babylonian we are not told, but it is clear that Marduk's entry into it was a signal mark of the triumph of the god. When Kingu from the "middle of Tiâmat" saw Marduk arrayed in his terrible panoply of war, he was terrified and trembled, and staggered about and lost all control of his legs; and at the mere sight of the god all the other fiends and devils were smitten with fear and reduced to helplessness. Tiâmat saw Marduk and began to revile him, and when he challenged her to battle she flew into a rage and attempted to overthrow him by reciting an incantation, thinking that her words of power would destroy his strength. Her spell had no effect on the god, who at once cast his net over her. At the same moment he made a gale of foul wind to blow on her face, and entering through her mouth it filled her body; whilst her body was distended he drove his spear into her, and Tiâmat split asunder, and her womb fell out from it. Marduk leaped upon her body and looked on her followers as they attempted to escape. But the Four Winds which he had stationed round about Tiâmat made all their efforts to flee of no effect. Marduk caught all the Eleven allies of Tiâmat in his net, and he trampled upon them as they lay in it helpless. Marduk then took the TABLET OF DESTINIES from Kingu's breast, and sealed it with his seal and placed it on his own breast.

Then returning to the dead body of Tiâmat he smashed her skull with his club and scattered her blood to the north wind, and as a reward for his destruction of their terrible foe, he received gifts and presents from the gods his fathers.

The text then goes on to say that Marduk "devised a cunning plan," i.e., he determined to carry out a series of works of creation. He split the body of Tiâmat into two parts; out of one half he fashioned the dome of heaven, and out of the other he constructed the abode of Nudimmud, or Ea, which he placed over against Apsu, i.e., the deep. He also formulated regulations concerning the maintenance of the same. By this "cunning plan" Marduk deprived the powers of darkness of the opportunity of repeating their revolt with any chance of success. Having established the framework of his new heaven and earth Marduk, acting as the celestial architect, set to work to furnish them. In the first place he founded E-Sharra

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, or the mansion of heaven, and next he set apart and arranged proper places for the old gods of the three realms--Anu, Bel and Ea.

[Tablet sculptured with a scene representing the worship of the Sun-god in the Temple of Sippar.]

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Tablet sculptured with a scene representing the worship of the Sun-god in the Temple of Sippar.

The Sun-god is seated on a throne within a pavilion holding in one hand a disk and bar which (like

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in Egyptian) may symbolize eternity. Above his head are the three symbols of the Moon, the Sun, and the planet Venus. On a stand in front of the pavilion rests the disk of the Sun, which is held in position by ropes grasped in the hands of two divine beings who are supported by the roof of the pavilion. The pavilion of the Sun-god stands on the Celestial Ocean, and the four small disks indicate either the four cardinal points or the tops of the pillars of the heavens. The three figures in front of the disk represent the high priest of Shamash, the king (Nabu-aplu-iddina, about 870 B.C.) and an attendant goddess. [No. 91,000.]

The text of the Fifth Tablet, which would undoubtedly have supplied details as to Marduk's arrangement and regulations for the sun, the moon, the stars, and the Signs of the Zodiac in the heavens is wanting. The prominence of the celestial bodies in the history of creation is not to be wondered at, for the greater number of the religious beliefs of the Babylonians are grouped round them. Moreover, the science of astronomy had gone hand in hand with the superstition of astrology in Mesopotamia from time immemorial; and at a very early period the oldest gods of Babylonia were associated with the heavenly bodies. Thus the Annunaki and the Igigi, who are bodies of deified spirits, were identified with the stars of the northern and southern heaven, respectively. And all the primitive goddesses coalesced and were grouped to form the goddess Ishtar, who was identified with the Evening and Morning Star, or Venus. The Babylonians believed that the will of the gods was made known to men by the motions of the planets, and that careful observation of them would enable the skilled seer to recognize in the stars favourable and unfavourable portents. Such observations, treated from a magical point of view, formed a huge mass of literature which was being added to continually. From the nature of the case this literature enshrined a very considerable number of facts of pure astronomy, and as early as the period of the First Dynasty (about 2000 B.C.), the Babylonians were able to calculate astronomical events with considerable accuracy, and to reconcile the solar and lunar years by the use of epagomenal months. They had by that time formulated the existence of the Zodiac, and fixed the "stations" of the moon, and the places of the planets with it; and they had distinguished between the planets and the fixed stars. In the Fifth Tablet of the Creation Series (l. 2) the Signs of the Zodiac are called Lumashi 12

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, but unfortunately no list of their names is given in the context. Now these are supplied by the little tablet (No. 77,821) of the Persian Period of which a reproduction is here given. It has been referred to and discussed by various scholars, and its importance is very great. The transcript of the text, which is now published (see p. 68) for the first time, will be acceptable to the students of the history of the Zodiac. Egyptian, Greek, Syriac and Arabic astrological and astronomical texts all associate with the Signs of the Zodiac twelve groups, each containing three stars, which are commonly known as the "Thirty-six Dekans." 13 The text of line 4 of the Fifth Tablet of the Creation Series proves that the Babylonians were acquainted with these groups of stars, for we read that Marduk "set up for the twelve "months of the year three stars apiece." In the List of Signs of the Zodiac here given, it will be seen that each Sign is associated with a particular month.

[Tablet inscribed with a list of the Signs of the Zodiac. [No. 77,821.]]

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Tablet inscribed with a list of the Signs of the Zodiac. [No. 77,821.]

At a later period, say about 500 B.C., the Babylonians made some of the gods regents of groups of stars, for Enlil ruled 33 stars, Anu 23 stars, and Ea 15 stars. They also possessed lists of the fixed stars, and drew up tables of the times of their heliacal risings. Such lists were probably based upon very ancient documents, and prove that the astral element in Babylonian religion was very considerable.

The accompanying illustration, which is reproduced from the Boundary Stone of Ritti-Marduk (Brit. Mus., No. 90,858), supplies much information about the symbols of the gods, and of the Signs of the Zodiac in the reign of Nebuchadnezzar I, King of Babylon, about 1120 B.C.. Thus in Register 1, we have the Star of Ishtar, the crescent of the Moon-god Sin, and the disk of Shamash the Sun-god. In Reg. 2 are three stands (?) surmounted by tiaras, which represent the gods Anu, Enlil (Bel) and Ea respectively. In Reg. 3 are three altars (?) or shrines (?) with a monster in Nos. 1 and 2. Over the first is the lance of Marduk, over the second the mason's square of Nabû, and over the third is the symbol of the goddess Ninkharsag, the Creatress. In Reg. 4 are a standard with an animal's head, a sign of Ea; a two-headed snake = the Twins; an unknown symbol with a horse's head, and a bird, representative of Shuḳamuna and Shumalia. In Reg. 5 are a seated figure of the goddess Gula and the Scorpion-man; and in Reg. 6 are forked lightning, symbol of Adad, above a bull, the Tortoise, symbol of Ea (?), the Scorpion of the goddess Ishkhara, and the Lamp of Nusku, the Fire-god. Down the left-hand side is the serpent-god representing the constellation of the Hydra.

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The mutilated text of the Fifth Tablet makes it impossible to gain further details in connection with Marduk's work in arranging the heavens. We are, however, justified in assuming that the gaps in it contained statements about the grouping of the gods into triads. In royal historical inscriptions the kings often invoke the gods in threes, though they never call any one three a triad or trinity. It seems as if this arrangement of gods in threes was assumed to be of divine origin. In the Fourth Tablet of Creation, one triad "Anu-Bel-Ea" is actually mentioned, and in the Fifth Tablet, another is indicated, "Sin-Shamash-Ishtar." In these triads Anu represents the sky or heaven, Bel or Enlil the region under the sky and including the earth, Ea the underworld, Sin the Moon, Shamash the Sun, and Ishtar the star Venus. When the universe was finally constituted several other great gods existed, e.g., Nusku, the Fire-god, Enurta, 14 a solar god, Nergal, the god of war and handicrafts, Nabu, the god of learning, Marduk of Babylon, the great national god of Babylonia, and Ashur, the great national god of Assyria.

When Marduk had arranged heaven and earth, and had established the gods in their places, the gods complained that their existence was barren, because they lacked worshippers at their shrines and offerings. To make a way out of this difficulty Marduk devised another "cunning plan," and announced his intention of creating man out of "blood and bone" DAMI IṢṢIMTUM

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